Japanese Animator, Designer, and Illustrator

 

Originally from Yamaguchi Prefecture, I joined MADHOUSE Inc. in 2007. I am currently working as a freelance artist.

 

My major works in character design include the animated films BAYONETTA: Bloody Fate and GARO: Divine Flame - Usuzumi Sakura.

For television series, I have worked on titles such as X-MEN and Space Battleship Tiramisu.

 

I also served as chief animation director for various episodes of the TV anime Terra Formars and created ending sequences and promotional illustrations for The Heroic Legend of Arslan.

In addition, I have illustrated CD covers for artists such as Eir Aoi (Lapis Lazuli, Tsubasa) and Kalafina (One Light, blaze), as well as various soundtracks.

 

For Attack on Titan, I participated as animation director for Season 2 and contributed official illustrations.

 

In the Initial D franchise, I served as co-animation director for the new movie trilogy and also worked as chief animation director and character designer for the Initial D pachinko and pachislot projects.

I have also created watercolor illustrations for limited edition packaging of Ogino-ya Toge no Kamameshi (a well-known bento).

 

Additionally, I was responsible for illustrations for the Initial D x Shibukawa City anime tourism posters, as well as seven color-designed manhole covers featured in that collaboration.

日本のアニメーター・デザイナー・イラストレーター

 

山口県出身、2007年株式会社マッドハウス入社

現在フリーランス

 

キャラクターデザインに劇場アニメ作品『劇場版BAYONETTA Bloody Fate』『映画 薄墨桜-GARO-』

TVアニメでは『X-MEN』『宇宙戦艦ティラミス』などがある。

 

ほかTVアニメ『テラフォーマーズ』各話総作監、TVアニメ『アルスラーン戦記』のEDや版権イラストを担当。

藍井エイル 「ラピスラズリ」「翼」、Kalafina 「One Light」「blaze」やサントラなど、CDジャケットのイラストも手がける。

『進撃の巨人』ではseason2作画監督と版権イラストなどで参加。

『頭文字D』では新劇場版アニメ作画監督(共同)

パチンコ、パチスロ頭文字Dの総作画監督やキャラクターデザイン、

荻野屋 峠の釜めし特別掛け紙などの水彩イラストも担当している。

 

 頭文字D×渋川市がコラボしたアニメツーリズムのポスター、カラーデザインマンホール7種のイラストを担当。

I excel at realistic styles, graphic novels, action/battle themes, muscular characters, American comic styles, and works with a masculine atmosphere.

I also have strengths in aesthetic, erotic-grotesque, and violent themes.

Although I often end up drawing cars, I am not specialized in mechanical designs.

 

Idol-themed works, light novels, social mobile games, and slice-of-life “healing” genres.

Chief animation direction, illustration, official/licensed artwork, design, large-scale live drawing performances, video editing (Final Cut), and presentations.

Digital Tools: Clip Studio Paint, Photoshop, Illustrator, Final Cut, Motion

Traditional Tools: Copic markers, watercolor, acrylic gouache, colored inks

 

Drawing, solo travel, receiving massages, fortune-telling, taking photos of stuffed animals during trips (“Nui-dori”), and photography with DSLR cameras.

 

Drawing and an excellent sense of direction (rarely getting lost).

High-leg swimsuit cats (high-leg cat motifs).

Thai cuisine, fried chicken, tonkotsu ramen (pork bone broth ramen)

Café latte, chai, Thai milk tea

Hot pink

Initial D and Itazura na Kiss
Vampire Hunter D (directed by Yoshiaki Kawajiri), Black Jack (directed by Osamu Dezaki), Shin Getter Robo: The Last Day, The Lion King, and The Emperor’s New Groove

Two cats and three reptiles.


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Ai Yokoyama

#7F T&J Building

2-2-12 Tenjin Chuo-ku,

Fukuoka-shi, Fukuoka-ken 810-0001

Japan


〒810ー0001

福岡県福岡市中央区天神2丁目2番12号T&Jビルディング7F

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